| Front Cover |
Actor |
|
| Cillian Murphy |
Jim
|
| Megan Burns |
Hannah
|
| Noah Huntley |
Mark
|
| Christopher Eccleston |
Maj. Henry West
|
| Marvin Campbell |
Private Mailer
|
| Brendan Gleeson |
Frank
|
| Naomie Harris |
Selena
|
| Alex Palmer |
Activist
|
| Bindu De Stoppani |
Activist
|
| Jukka Hiltunen |
Activist
|
| David Schneider |
Scientist
|
| Toby Sedgwick |
Infected priest
|
| Sanjay Rambaruth |
Private Davis
|
| Ray Panthaki |
Private Bedford
|
| Junior Laniyan |
Private Bell
|
|
|
| Movie Details |
| Genre |
Sci-Fi; Horror |
| Director |
Danny Boyle |
| Writer |
Alex Garland |
| Studio |
20TH CENTURY FOX HOME ENTERTAINMENT |
|
| Language |
English |
| Audience Rating |
18 |
| Running Time |
113 mins |
| Country |
Netherlands |
| Color |
Color |
|
| Plot |
| In this film from director Danny Boyle and writer Alex Garland, a powerful virus is unleashed on the British public following a raid on a primate research facility by animal rights activists. Transmitted in a drop of blood and devastating within seconds, the virus locks those infected into a permanent state of murderous rage. Within 28 days the country is overwhelmed and a handful of survivors begin their attempts to salvage a future, little realising that the deadly virus is not the only thing that threatens them... |
| Personal Details |
| Seen It |
Yes |
| Index |
263 |
| In Collection |
Yes |
|
| Product Details |
| Format |
DVD |
| Region |
Region 2 |
| Screen Ratio |
16:9 Wide Screen / 1.85 Wide Screen / 16:9 Anamorphic Wide Screen |
| Release Date |
2002 |
| Subtitles |
English for the hearing impaired; Swedish |
| Audio Tracks |
English |
| Nr of Disks/Tapes |
1 |
|
|
Extra Features
|
| Audio commentary by director Danny Boyle and Alex Garland. Storyboard alternate ending. 8 deleted scenes with optional commentary (16 mins). 'Pure Rage: The Making of 28 Days Later ' (24 mins). Jacknife Lee music video (6 mins). Stills gallery with commentary. Polaroid gallery with commentary. Animated storyboards. Theatrical teaser. Theatrical trailer. |
|